Sound designer Erik Aadahl has worked with some pretty intimidating on-screen characters in his film career, from transforming robots to muscle-bound superheroes like Superman and Daredevil to big, green animated ogres.
This time, Aadahl had to handle a real monster: Godzilla. He was hired to update the creature’s run-for-your-life bellow three years ago, before the latest update of the 1954 monster movie had been green-lit for production. It opened in theaters nationwide Friday.
“It’s one of the most famous sound effects in cinema history,” said Aadahl. “We really wanted to embrace that and use the original as our template, and pay homage to that.”
The original film’s composer, Akira Ifukube, used a double bass, a leather glove and some pine tar to produce Godzilla’s trademark call.
“They’d rub the glove against the double base to create that groan,” Aadahl said.
Aadahl sought a fuller sound (to take advantage of contemporary…
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